As soon as you hit play on Object Collection and Richard Foreman's latest collaboration, "Suppose Beautiful Madeline Harvey," be prepared to have your musical perceptions obliterated faster than you can say 'indie avant-garde opera'. This album is a wild ride from start to finish, with its chaotic blend of experimental soundscapes, dissonant vocals, and mind-bending lyrics. From the opening track, "Harvey's Madeline," you're thrown headfirst into a sonic whirlwind that feels like being trapped in a Salvador Dali painting while on a rollercoaster. The aural assault continues with tracks like "Beautiful Suppose" and "Madeline's Beauty," which somehow manage to be both captivating and perplexing at the same time. But what really sets "Suppose Beautiful Madeline Harvey" apart is its fearless commitment to pushing the boundaries of what music can be. Object Collection and Richard Foreman have created a unique listening experience that challenges, provokes, and ultimately rewards those brave enough to take the plunge. So, if you're looking for an album that defies all expectations and dares to be different, look no further than "Suppose Beautiful Madeline Harvey." Just be prepared to have your musical world turned upside down in the best possible way.